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ISBN-10: 1846094194

ISBN-13: 9781846094194

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She turns on the radio to some contemporary light jazz. The music continues over several dissolves that clearly signify time passage, yet the music is not disrupted in any way. What began as music coming from the radio has clearly shifted status, just as Skillet’s harmonica blues did. How Music Works in Film 47 In some cases, the idea of source scoring may be useful to describe musical events whose narrative status is open to interpretation. ” A majestic, somber minor-key march accompanies Luke and Han (and Chewie)’s walk up the aisle, but a much more upbeat, though still majestic, major key accompanies Leia’s bestowal of the medals.

It follows the framework of the scene more critically and matches the nuances of the scene musically. 5 In a sequence in Dead Again, composer Patrick Doyle plays on the idea of source scoring. Under hypnosis, Grace (Emma Thompson) realizes that Mike (Kenneth Branagh) is part of the Roman Strauss/Margaret Strauss past. When they return to his apartment, she is fright- 46 Hearing Film ened by the image of him opening letters with a pair of scissors; meanwhile, Trudy, Mike’s downstairs neighbor, practices her scales in a recurring bit of musical business.

My point here, however, is that classical Hollywood film music is a semiotic code, and that it can and should be subjected to various semiotic and cultural studies methods, such as discourse analysis and ideology critique. Such studies would not only further scholarly understandings of classical Hollywood film, but would also intervene in important ways in debates about music and meaning in musicology, communications, sociology, music theory, ethnomusicology, philosophy, and popular music studies.

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100 of the Best Movie Songs Ever! : piano, vocal, guitar

by George

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