By Tongyin Yang
The Kam language of China possesses fifteen tones – greater than the other language. but it has lengthy been missed as a space of study, specially from the point of view of discourse research. This learn initiates the exploration of the interface among grammar and discourse via analyzing numerous facets of Kam narrative discourse, and utilizing a useful method of exhibit its structural homes. It additionally introduces the mechanism for phonological and syntactic diversifications, in addition to classifier versions and sentence-final debris (SFPs) in discourse and observe order adaptations. ultimately, it discusses the impact of social environment on narrative constitution and provides the main updated ethnological and social information regarding the community.
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Additional resources for A Grammar of Kam Revealed in Its Narrative Discourse
This is very true among the Kam, since there are quite a few unstated requirements for a narrator as listed below: First of all, to be qualiﬁed as a narrator, or more precisely a ‘story-teller’ one needs to be male. Women and girls are not allowed to tell a story in a formal setting as described above. This is reflective of the fact that in rural areas, many social functions are still gender speciﬁc. It is worthwhile to point out, as well, though that women traditionally hold high social status among the Kam.
The head of the nails he hammered into the once cracked sky became stars. 6 Summary Chapter 3 elaborates on the data source Kam community—Yutou: its ethnographic features, cultural heritage, language use, and spoken literature. The storytelling event is also explored to identify its social and cultural functions in community. After that, focus shifts to describing of data nature and information of the data collecting process. The full LINGUALINKS version of the two narratives with brief summary of the respective story occupies the rest of the chapter.
No high level tone [tone 1(55) or tone 3(323)] were found. If grouped by tone category, tone 1/1’ and tone 3 are also absent. Since the amount of data uncovered is still limited in a sense, it may well be possible that further study will unearth this /ə/ in each and every tone category, but the current data reveals a tendency that certain tones that have falling pitch seem to appear more often than others with /ə/ rhyme word. This will be explained from a pragmatic perspective later in this chapter.
A Grammar of Kam Revealed in Its Narrative Discourse by Tongyin Yang