By Alison McMahan
Alice man BlachT (1873-1968), the world's first girl filmmaker, was once one of many key figures within the improvement of narrative movie. From 1896 to 1920 she directed four hundred movies (including over a hundred synchronized sound films), produced hundreds and hundreds extra, and used to be the first—and up to now the only—woman to possess and run her personal studio plant (The Solax Studio in fortress Lee, NJ, 1910-1914). even though, her function in movie heritage used to be thoroughly forgotten till her personal memoirs have been released in 1976. This new booklet tells her lifestyles tale and fills in lots of gaps left via the memoirs. man BlachT's lifestyles and profession reflected momentous adjustments within the movie undefined, and the lengthy time-span and sheer quantity of her output makes her movies a fertile territory for the applying of latest theories of cinema historical past, the improvement of movie narrative, and feminist movie conception. The e-book presents an in depth research of the only hundred man BlachT movies that live on, and within the technique rewrites early cinema background
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Additional info for Alice Guy Blaché : lost visionary of the cinema
19 He established a very complete list of films that Guy worked on, but not without attracting much controversy. To a large extent, I have re-done Bachy's research and attempted to resolve the most pressing questions. 21 A portion of this film is devoted to Guy and includes an interview with her daughter, Simone. 22 Other documentaries are listed in the appendix. The best documentary on Alice Guy is still The Lost Garden, directed by Marquise Lepage for the National Film Board of Canada in 1994.
And Europe before 1915. Some work, most notably by Alison Griffiths, has been done on colonial film; but much more work is needed. Animation and early sound films have also been neglected, though some work has been done by Rick Altman and Donald Crafton. Another legacy of Brighton was a new and almost unprecedented level of cooperation between film scholars and film archivists. Without the collaboration of archivists from all over the world and the increased access to films that the era after Brighton provided, this book could never have been written.
The myths and controversies surrounding Alice Guy's life have had two effects: they make Guy look like a victim, especially with the loss of her historical record, the blame for which is often laid at the feet of various (male) historians;25 the myths have also seduced us into overlooking her work. At the homage to Alice Guy held as part of the Films de femmes Festival in Creteil in 1994, it became clear that even for feminists, Guy's films have taken second place to the historical and emotional value of her personal achievements.
Alice Guy Blaché : lost visionary of the cinema by Alison McMahan