By Gillian Roberts
Amanda's buddy Sasha's stepmother has simply devoted suicide—although, based on Sasha, Phoebe Ennis could by no means have killed herself, particularly no longer whereas having a drink and donning a purple silk shirt and purple sandals with four-inch heels. Amanda isn't persuaded, yet reluctantly concurs to aid examine the woman's death, even though the proof for foul play is slender. real, the middle-aged compulsive collector of knickknacks wasn't universally enjoyed. Phoebe's personal son hated her, and he or she bored her neighbors to dying with tricks of her "royal" lineage. And with 4 marriages at the back of her, she used to be already getting ready to announce her renewed availability on the web. but if one other lady is located useless in Phoebe's apartment, it turns into transparent that anything is certainly murderously amiss, and lots more and plenty towards domestic than Amanda or somebody else can have imagined.
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Additional info for All's Well That Ends (Amanda Pepper, Book 14)
She laughed even as she felt the muscles around her heart tighten with an inexplicable pain. This subtle form of heart attack had been with Anna since the Friday night Paul had taken her to the Episcopal church in Port Gibson, where he occasionally fulfilled the office of priest when Father Sam was out of town and when Paul's duties of apprehending criminals didn't take precedence over his job of forgiving them. It had been late spring. The foliage around the two-century-old, barn-red church had already matured into a fecund green that whispered of summer.
Brick arches at ground and second floor, one after the other in an unbroken line, surrounded an expanse of grass so dry it crackled underfoot. Twin houses, officer quarters during the Civil War, now served as quarters for the absent Lanny Wilcox and Bob and Teddy Shaw. Around the edges of the parade ground, inside the heavy walls, were scattered ruins from when Jefferson was home to troops, prisoners, slaves, cooks, washerwomen, officers, wives and daughters: the skeletal remains of a Civil War barracks, razed by the NPS when safety had broil a higher priority than preservation; two half-finished armories, their under-roofs rounded like their later relative, the Quonset hut; a half disassembled shot oven; the foundation for what started out to be a church to a soldier's god but ended life as a below-ground cistern for the federal government.
Tilly promised to be "quiet as a mouse," as she has since she was three, but I took it as a sign she'd matured when she refrained from making those tiny squeaky mouse sounds as she walked. "We've got to hurry," I warned. "Major Tanner is making his curtain speech at eight, and Joel Lane is singing 'Take Me Home' right after," I said quickly. Calling of Private Lane to mind was oddly prophetic-pathetic-as you shall see if I ever finish this letter-become-tome. The mention of Joel's singing stopped her planned argument, as I knew it would.
All's Well That Ends (Amanda Pepper, Book 14) by Gillian Roberts